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Question-"La música hispana” is played, listened, sang, and danced around the world. Some styles are: (Choose 2 styles and research/comment on their origin, name, song writers, singers, and songs).Ranchera Tango Bolero Cumbia Meringue Flamenco Andina Answer–Unlike other, when I hear the word tango is often remind me of sexy ballroom dance, and usually the dance move are associated with a light skin, long hair female with a high heel and with tall tanned male partner. Tango it’s may look simple and easy, but yet is require a lot practice and coordination. The tango further evolved to reflect the beautiful diversity of dance and music from the influx of immigrants arriving in Argentina in the late 18th century and the early 19th century. The tango was primarily danced by individuals of poor backgrounds who had emigrates to Argentina for economic purposes and, who were hoping to raise enough money to bring their families at a later point to join them. Furthermore, T Origin of the in Argentina was strongly influenced by black African culture in the 1800’s. African slaves were first brought to Argentina in the 1770’s to either serve as domestic servants in Argentine homes or, to carry out hard labor on the haciendas. Slavery was finally abolished in Argentina in 1853. A census carried out in Argentina in 1778 recorded that 30% of people living in Buenos Aires were African (Kwintessential). Furthermore; Juan Pérez is credited with creating the first known tango song Dame La Lata (Give me my tin). It was written some time in the 1880s, in Lunfardo, the Buenos Aires street lingo. The title alludes to the tin that clients bought from the dance clubs, who then gave it to the woman they chose to dance with. This represented their right to dance ( Braverman Eran 2010, http://www.verytango.com/tango-history.html). Moreover, The first sound recordings of tango started to appear in the early 1900s, with the first tango recorded around 1905 by Angel Villoldo. The song was El Choclo, a widely recognizable tune even today( Braverman Eran 2010, http://www.verytango.com/tango-history.html). From Tango to Cumbia, near the end of the 17th century in the Caribbean coastal towns of Colombia, slave owners gave their human property – men from Africa, as well as the men and women the conquistadors had taken from local Amerindian tribes – permission to play music and dance on certain holidays. On those days, they danced the cumbia. Furthermore, the cumbia gets its name from the cumbè, a dance that originated in Guinea. In the colombian version, men and women came to the event dressed entirely in white – the women wore long, multi-layered skirts and the men carried bundles of candles or torches, which were lit and held as they gathered in a circle. On at a time, couples moved to the center to dance their flirtation. The women would lift her skirt, simultaneously pushing the man away and enticing him closer. The dance evolved against rhythms surrounding them, the men attempting to win over the women with his dancing and by ritually passing her fire from his bouquet of candles (grupofantasia, http://www.grupofantasia.com/cumbia.htm). Course Hero Question-You mention some of the sensuality in the music and dance here, much of the music and dances we're discussing this week are characterized by this kind of sexy, sensual movement. How does this differ from traditional Anglo dances and music? We might think of country dances, line dances, or even something like a Virginia reel as examples to which we can compare the Spanish / Latin work from this week. Criteria – No word limit and no page requirement.

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